suspicious camera set up data since the main theme of my hacking is “red” Like somethings are doing in secret and throw it in your face repeatedly.: I think the word ( in this case red) is a trigger..

ONE Operation Guide

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RELEASE HISTORY

VERSION 31.6.16

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18 MB 

Release Date:

5/20/2011

Release Notes

RED ONE Build 31 V31.6.16 May 20, 2011

Notes:

• After upgrading to Build 31, on-camera playback of media recorded by earlier builds may not be possible, nor can you add additional clips to digital media formatted under an earlier build.
• MYSTERIUM-X sensor based cameras may not use firmware prior to Build 30.
• MYSTERIUM sensor based cameras may be downgraded, but not to firmware prior to Build 16.
• Ensure you reformat any digital media and Black Shade before shooting under Build 31.
• Download the latest versions of REDCINE-X and/or ROCKETCINE-X from http://www.red.com/support
• Third party post tools may need to be updated to reflect FLUT and REDcolor color science.

Installation Instructions:

• This upgrade is fully contained in the folder “build_31_v31.6.16”
• In that folder is a copy of this Read Me file and the folder named “upgrade”
• The “upgrade” folder includes the camera firmware upgrade file “redone.su”
  • DO NOT rename this folder, the camera only opens a folder named “upgrade”
  • DO NOT decompress the “redone.su” file, the camera will perform that task.
• For MYSTERIUM sensor based cameras, format a CF or SSD card using Build 20, 21, or Build 30
• For MYSTERIUM-X sensor based cameras, format a CF or SSD card using Build 30 or 31.
• Connect the CF or SSD card to your P.C or Macintosh via a CF or SSD card reader.
• Copy the folder called “upgrade” onto the CF or SSD card.
• Unmount the CF or SSD card from your computer (drag to the trash can).
• Ensure your camera is powered down.
• Insert the CF or SSD card into the CF or SSD card slot of your RED-ONE camera.
• Power up the camera.
• After booting up, the camera rear status display will report “New Firmware” and the RED-EVF or RED-LCD will report “A software update is available for your system”
• Press the joystick to confirm, and the rear status display will report “Upgrading”
• During the upgrade process, a blue progress bar will be visible on the RED-EVF or RED-LCD. This bar will continue for the duration of the upgrade, which is approximately five minutes.
• At the end of the upgrade process, the rear status display will report “O.K. Cycle Power” The RED-LCD or RED-LCD will report “Upgrade complete. Power cycle the camera to continue.”
• Power down the camera, wait five seconds, then power up the camera.
• Verify that the camera rear status display and or monitors report back – PIN (value specific to camera) Build 31 Version 31.6.16
• Installation is now complete. 
  Note: After the firmware upgrade, it is mandatory that you re-format a CF or SSD card and perform a BLACK SHADING calibration. At the end of Black Shading remember to power cycle the camera. Operation without performing a BLACK SHADING calibration after firmware updates or downgrades usually creates significant color errors.

Significant Changes Since Build 30 Series Firmware:

• Resolution of 3k 16:9 codec error at high frame rate.
• Increased reliability and capability of Master / Slave operation.
• Support for hot plug of Master / Slave communication USB cable.
• Indication of Master / Slave status in UI.
  • Note: Cameras will take up to 10 seconds after hot plug of USB cable to establish communication, during which time the UI will display a blinking “M” and “S” respectively on the Master and Slave camera. Once the communications link is established and verified the “M” and “S” icons will stop blinking. To reverse the Master / Slave relationship, reverse the USB cable physical connection.
• Slave camera prevented from initiating a record operation.
• Slave camera clip name forced to use Master camera’s I.D.
• Addition of POSITION function to set Master camera as CENTER, LEFT or RIGHT.
  • Note: When Master is set to CENTER, Master and Slave clips are both labeled “C”, if Master is set to LEFT, Master clips are labeled “L” and Slave clips are labeled “R”, if Master is set to RIGHT, Master clips are labeled “R” and Slave clips are labeled “L”.
    • For example, If Master is LEFT and it’s camera I.D letter is B, the first clip recorded will be : Master : B001_L001_******.RDC Slave : B001_R001_******.RDC (where ****** are wildcard + day + date).
    • For example, If Master is RIGHT and it’s camera I.D letter is B, the first clip recorded will be : Master : B001_R001_******.RDC Slave : B001_L001_******.RDC (where ****** are wildcard + day + date).
• Updated metadata in .R3D file to record Master / Slave and camera Left / Center / Right position status.
• Common media FORMAT, CHANGE and RESET commands across Master and Slave cameras.
• Common media UNMOUNT command across Master and Slave cameras.
• Common PROJECT RESOLUTION, QUALITY and REDCODE command across Master and Slave cameras.
• Common VARISPEED and RAMP commands across Master and Slave cameras.
• Common TIMELAPSE commands across Master and Slave cameras.
• Common MAGNIFY command across Master and Slave cameras.
• Common AUTO WHITE BALANCE calculation command across Master and Slave cameras.
• Common MANUAL WB command following Tungsten or Daylight or Auto WB fictions.
• Common TINT setting across Master and Slave cameras.
• Addition of TRIM sub-menu to COLOR TEMP menu.
  • Note: TRIM sub-menu displays TINT if camera is not in Master or Slave mode when powered up, or displays TINT, S-TINT, S-W.BAL and S-FLUT if camera is in Master mode when powered up.
  • Note: S-TINT, S-W.BAL and S-FLUT provide an offset for Slave camera TINT, W.BAL and FLUTrelative to the common TINT, W.BAL and FLUT values programmed from the Master camera. This compensates for monitor path color differences between the transmitted and reflected light path camera when using an optical beam-splitter.
• Common GENLOCK enable / disable command across Master and Slave cameras.
• Command JAM SYNC enable / disable command across Master and Slave cameras.
• Common Shutter MODE and SYNCRO commands across Master and Slave cameras.
• Common ISO rating command across Master and Slave cameras.
• Common LOOK commands across Master and Slave cameras (excluding FLUT parameter)
  • Note: Auto White Balance value and FLUT parameters are not locked between cameras in order to permit in-camera correction of color shift and transmission loss through beam splitter mirror.
• Common LOOK EXPORT and IMPORT for Master and Slave cameras.
  • Note: When in Master / Slave mode, only the Master requires an SD Card to be installed. Following an EXPORT command from the Master camera UI, the Master camera writes a .RLKfile to its SD Card. Following an IMPORT command from the Master camera UI, the Master camera reads the sleeted .RLK file from its SD Card and transfers the LOOK parameters to the Slave camera.
• Common USER KEY 3, 4 and 5 set up and enable / disable command across Master and Slave cameras.
• Common Zebra set up and enable / disable commands across Master and Slave cameras.
• Common Frame guide and User Area setup commands across Master and Slave cameras.OMG IM THE SLAVE ONE
  • Note: X POSN and Y POSN offset programmed for User Action or Title from the Master camera will result in an equal but opposite offsets for the Slave camera.
• Updated metadata in .R3D file to record User Action and Title area / positions.
• Common TEST SIGNAL commands across Master and Slave cameras.
• Addition of Auto WB as a selectable GPI trigger option.
• Addition of Auto WB as a selectable GPO tally option.
• Support for INTENSITY adjustment on Bomb-EVF : range +/- 1 stop from reference.
  • Note: Bomb-EVF can display upper 784 lines or lower 784 rows of 1280 × 848 pixel viewfinder output.
    • To toggle between these, press both User Key 3 and User Key 4 on the front surface of the Bomb-EVF.
• Transfer of DARK DETAIL parameter to EVF-MENU, and INTENSITY parameter to VIEWFINDER menu.
• Support for RED-SSD Media of 64GB, 128GB, 256GB capacities.
  • Note: Requires Side SDD Media Module to operate the above media. Maximum QUALITY is REDCODE 42.
• Resolved codec error in 4K 16:9 record for Mysterium-X sensor based cameras at 25fps TIME BASE.
• Enhanced system performance when operating in 4K 16:9 record mode.
• Support for .RMD files generated by REDCINE-X.

General Operational Notes Regarding Build 31 Series Firmware:

• MYSTERIUM-X sensor based camera may not be downgraded to firmware prior to Build 30.
• MYSTERIUM sensor based camera may not be downgraded to firmware prior to Build 16.
• Non Build 31 formatted media may report as “INCOMPATIBLE”. If so, reformat to clear.
• Non-speed verified CF cards are limited to 2K record resolution.
• Image Magnify is available during preview, but not during according or playback.
• LOOK (.RLK) file format updated at Build 30, not compatible with Build 21 or earlier.
• GUI on HD Preview is limited to LOOK AROUND if both EVF and LCD ports are active.
• FLUT parameter remains independent on Slave camera when in Master / Slave mode.
• Audio parameters remain independent on Slave camera when in Master / Slave mode.
• Under GPI trigger, Slave camera will enter record within +/- 1 frame of Master.
• Using RECORD key, Slave camera will enter record within +/- 2 frames of Master.
• HD-SDI and HDMI are True Progressive, no support for 1080i or 1080 PsF formats.
• Selecting V Flip or H + V flip VIDEO mode will delay the HD-SDI output by 1 frame.
• Timecode in GUI is not frame accurate, always reference to HD-SDI or .R3D timecode.
• If using Master / Slave mode, ensure that both Master and Slave cameras are using identical size media and when formatting media, ensure that both the Master and Slave cameras have media attached.
• RECORD tally in HD-SDI HANC indicates “in record” earlier than the first frame of the recorded .R3D file, and stays enabled a few frames after the last frame of the recorded .R3D file.
• Monitor path outputs may experience a temporary disturbance when:
  • Enabling first / disabling last audio channel
  • Entering and exiting Image Magnify
• RED-EVF in SYNC refresh mode will experience a temporary video blanking when:
  • Exiting OPEN GATE mode
  • Exiting MAGNIFY at 4K resolution
  • Changing Project RESOLUTION
  • Changing Varispeed frame rate
• Bomb-EVF in SYNC refresh mode will experience a temporary video blanking when:
  • Exiting MAGNIFY at 4K resolution
  • Changing Project RESOLUTION
  • Changing Varispeed frame rate

Copyright © 2004-2017 RED.COM, LLC. All rights reserved.

PRODUCTION SERVICES

We strive to provide our clients will the necessary services and equipment to produce their product. In addition to our Lighting, Grip and Expendables department we also offer our full-service production company, “”””Dark Diablo””””. DD is available and can support your existing production company or can be a one stop shot for your content. Please contact us for more information on this specialized service.

THEATER SPECS

PROJECTION :

• 4K Barco – DP4K-32B
• 4K Christie – D4K3560
• Qube DCI Player
• DVS Clipster
• Baselight TWO – Grading System

AUDIO :

• Meyer Sound: 7.1 – Dolby Digital Plus / DTS with DataSAT – AP20 Audio Processor
• Additional audio or custom analog setup available upon request.

FORMATS :

• 4K/2K/1080: DCP, R3D, ProRes,
• OpenEXR, DPX & TIFF sequences,
• streaming and others available.

SCREEN :

• 36’ horizontal – 2D / Scope or Flat

HELIUM 8K S35

8K FF (8192 x 4096)

60 fps

REDCODE 12:1

DSMC2 Standard OLPF

DOWNLOAD .zip — 1.16 GB

HELIUM 8K S35

8K FF (8192 x 4320)

50 fps

REDCODE 9:1

DSMC2 Skin Tone-Highlight OLPF

DOWNLOAD .zip — 2.33 GB

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SAMPLE R3D FILES

LEGAL DISCLAIMER: All footage is provided “as is”. Use of the footage is for internal testing purposes only, and may not be used for any other purposes, whether commercial or non-commercial. RED retains all copyrights in the footage.

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Footage from the EPIC-W 5K S35, WEAPON 8K S35 and WEAPON 8K VV are shot on the same sensors found in DSMC2 GEMINI, DSMC2 HELIUM and DSMC2 MONSTRO respectively.

V-RAPTOR 8K VV

3K (3072 x 1620)

320 fps

REDCODE LQ

DOWNLOAD .zip — 2.14 GB

V-RAPTOR 8K VV

8K FF (8192 x 4320)

120 fps

REDCODE LQ

DOWNLOAD .zip — 1.5 GB

V-RAPTOR 8K VV

8K FF (8192 x 4320)

75 fps

REDCODE MQ

DOWNLOAD .zip — 2.9 GB

V-RAPTOR 8K VV

6K S35 (6142 x 2592)

200 fps

REDCODE MQ

DOWNLOAD .zip — 14.1 GB

V-RAPTOR 8K VV

4K S35 (3840 x 2160)

240 fps

REDCODE MQ

DOWNLOAD .zip — 1.8 GB

V-RAPTOR 8K VV

8K VV (8192 x 4320)

120 fps

REDCODE LQ

Shot By:

Kimberly Jefferies
@kimberlyswimberly

DOWNLOAD .zip — 11 GB

KOMODO 6K S35

6K (6144 x 3240)

40 fps / 180°

REDCODE LQ

DOWNLOAD .zip — 1.41 GB

KOMODO 6K S35

6K (6144 x 3240)

40 fps / 45°

REDCODE LQ

DOWNLOAD .zip — 3.5 GB

KOMODO 6K S35

4K (4096 x 2160)

60 fps

REDCODE LQ

DOWNLOAD .zip — 643.2 MB

MONSTRO 8K VV

8K FF (8192 x 4320)

47.95 fps

REDCODE 10:1

DOWNLOAD .zip — 922.9 MB

MONSTRO 8K VV

8K FF (8192 x 4320)

1 fps

REDCODE 4:1

DOWNLOAD .zip — 4.2 GB

HELIUM 8K S35

8K FF (8192 x 4096)

60 fps

REDCODE 12:1

DSMC2 Standard OLPF

DOWNLOAD .zip — 1.16 GB

HELIUM 8K S35

8K FF (8192 x 4320)

50 fps

REDCODE 9:1

DSMC2 Skin Tone-Highlight OLPF

DOWNLOAD .zip — 2.33 GB

HELIUM 8K S35

8K FF (8192 x 3456)

50 fps

REDCODE 14:1

DSMC2 Skin Tone-Highlight OLPF

DOWNLOAD .zip — 799.3 MB

HELIUM 8K S35

8K FF (8192 x 4320)

24 fps

REDCODE 8:1

DSMC2 Low Light Optimized OLPF

DOWNLOAD .zip — 4.03 GB

HELIUM 8K S35

8K FF (8192 x 3456)

48 fps

REDCODE 8:1

DSMC2 Standard OLPF

DOWNLOAD .zip — 1.05 GB

HELIUM 8K S35

8K FF (8192 x 4320)

2 fps

REDCODE 5:1

DSMC2 Standard OLPF

DOWNLOAD .zip — 2.71 GB

HELIUM 8K S35

8K FF (8192 x 4320)

24 fps

REDCODE 7:1

DSMC2 Standard OLPF

DOWNLOAD .zip — 1.64 GB

HELIUM 8K S35

8K FF (8192 x 4320)

24 fps

REDCODE 7:1

DSMC2 Standard OLPF

DOWNLOAD .zip — 1.48 GB

GEMINI 5K S35

5K FF (5120 x 2700)

24 fps

REDCODE 5:1

Standard Mode

DSMC2 Standard OLPF

DOWNLOAD

DIRECTIONS FOR REDIMOTE USE:

Release Notes

REDMOTE V9.7.13 Firmware June 1, 2017

IMPORTANT:

• Please use the updated installers in the DSMCResources package (Mac and Windows)
• Camera Firmware v5.3.x or later is required to be functional.

Installation Instructions:

• Windows instructions for manual network setup
  – Open Internet Protocol (TCP/IP) properties for the REDmote connection (RNDIS Gadget)
  – Select ‘Use the following IP Address’ and enter 192.168.0.1 with subnet mask 255.255.255.0. Click OK.
  – Click OK to apply and exit Network Properties.
  – Disconnect REDMOTE from the PC and wait 5 seconds.
  – Reconnect REDMOTE to the USB Port and wait for Network to indicate connection
  – Complete the REDMOTE Upgrade
  – Restore the DHCP setting for the Network Connection after upgrade is complete
  – Open Internet Protocol (TCP/IP) properties for the REDmote Connection (RNDIS Gadget)
  – Select ‘Obtain an IP Address Automatically’ and select OK.
  – Select Close to exit Network Properties.
  – Disconnect REDMOTE from the PC
  – Upgrade and system configuration is complete
• Mac instructions for manual network setup
  – Go to your Network and find the device titled RNDIS/Gadget.
  – Select ‘Manually’, enter IP address 192.168.0.1 and Subnet Mask 255.255.255.0 and click Apply.
  – Start REDmote Upgrade Utility and upgrade.
  – Restore the DHCP setting after the upgrade is complete.
  – Go to your Network and find the device titled RNDIS/Gadget.
  – Select ‘Using DHCP’ and click Apply
  – Upgrade and system configuration is complete
• Contact RED if you are unable to connect using the manual instructions (http://www.red.com/contact_us).

Significant Changes Since Previous Build V9.7.12:

• Added proxy recording baked-in settings support
• Added per monitor LUT parameters support

Operational Notes Specific To Build V9.7.13:

• None

Copyright © 2004-2017 RED.COM, LLC. All rights reserved.

HTTPS://www.red.com: Red studios

license for RedCinema

Red has the right to enhance or otherwise modify the Software. You have no rights to any source code for the Software. You agree not to, or cause or permit, directly or indirectly the modification, disassembly, recompilation, or reverse engineering of the Software or any part thereto, or otherwise attempt to gain access to the source code to the Software. You agree not to create derivative works or cause or permit others, directly or indirectly to create derivative works based upon the Software. The Software is licensed as a single product. Its component parts may not be separated for use on more than once device. Under no circumstances shall you sell, license, sub-license, publish, and display, distribute, rent, lease, assign, or otherwise transfer to a third party the Software or any copy thereof, in whole or in part.

4. CONSENT TO USE OF DATA. You agree that RED and its affiliates may collect, maintain, process, transmit, and use technical, diagnostic, usage and related information, including but not limited to information about your REDCamera, computer, system and application software, usage, content, and peripherals.  RED may use the information to provide and improve RED’s products and services, including providing the information to RED’s licensors. RED may also provide the information to third party advertisers for the purpose of providing advertising statistics without identifying you personally. RED will not disclose this information in a form that personally identifies you.

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